Marketing teams
You've got footage sitting there and need it turned into finished content.
Trusted by
The footage is only half the job. The edit is where a shoot becomes a video people actually watch to the end.
Our editors came up through live broadcast news at Network Ten. They know how to shape a story, hold attention, and cut for the platform it's going on. You get a finished film, not a rough assembly you have to fix yourself.
You've got footage sitting there and need it turned into finished content.
Hours of coverage that needs cutting into a highlight film and social clips.
You shot it in-house or on a phone and want it to look polished.
You need a reliable edit partner to white-label behind your own work.
You need it cut, captioned and out the door on time.
We start by knowing the audience, the message and where it's going, so the cut lands.
The structure carries the video. Graphics and finish lift it, they don't rescue it.
A LinkedIn video, a website hero and a TV-style piece are edited differently.
Clean dialogue, balanced music and a mix that works on phone speakers too.
You comment on the exact frame in Frame.io, so notes are clear and nothing gets lost.
You review online with time-coded comments, revision rounds are built into the quote, and the final files arrive ready for every channel.
Behind the scenes
Tell us what you've got and where it's going. We'll come back with one fixed quote.
We're a Sydney video production company, so the edit is something we do every week, not a side service. Our crew came through live broadcast news at Network Ten, and that eye carries into the cut. We've edited for the likes of PwC, Bunnings and Australian Turf Club. Jess is your single point of contact start to finish, so you're not chasing anyone. If you want us on the shoot too, we can do the whole job end to end.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
Our work
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
It depends on the length of the final video, how much footage there is to work through, and the graphics, captions and platform versions you need. A single social cutdown is very different from a full event film. Tell us what you've got and where it's going, and we'll give you one fixed quote. No surprises later.
Yes. Plenty of our editing work is footage the client shot or had shot elsewhere. Send us your files and we'll turn them into a finished film. You don't need us on the shoot for us to do the edit.
Most edits land the first cut within a week of getting your footage, and simple social cuts can be faster. It moves quicker with a clear brief up front. We'll confirm the timeline when we scope the job so you know exactly when to expect it.
Two rounds of review are built into every edit. You watch the cut and comment right on the video through Frame.io, we work through your notes, then deliver the final. If a job needs more, we sort that out up front so it's clear.
Yes, all of it. Every edit includes a full finish and a sound mix. Captions, subtitles, lower thirds and motion graphics are part of the job too, built in your brand. Just tell us what you need.
You don't need to be in Sydney. We're based here but edit for clients across NSW, interstate and overseas. Upload your footage from anywhere and we review everything online, so you can approve the cut without a single meeting.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Get a quoteGot something coming up?
Tell us what you need. We will scope it, quote it, and look after the rest. No hard sell, just a quick chat.