Media training · Sydney

Media training
in Sydney,
on a real set.

Real cameras, lighting, sound and a crew. Your spokesperson rehearses on a real set, not in a meeting room, and walks in ready.

5.0 on Google Now booking for July
Zarco Creative filming an interview on a full broadcast set up, with ARRI cameras, monitors and lighting

Trusted by

PwCFIFAColesSennheiserNSW GovernmentChartered Accountants Australia and New ZealandBunningsAustralian Turf ClubPenfoldsABC KidsInglisAANASeven NetworkNine NetworkNetwork 10

The difference

Most media training is a meeting room. Ours is a broadcast set.

A slide deck and a role-play are forgotten by Friday. We coach your spokesperson on the real thing, so it sticks and the moment lands.

The usual
  • A meeting room and a propped-up phone
  • A trainer and a slide deck
  • A role-play that never airs
  • A practice tape that gets binned
On our set
  • Broadcast cameras and proper lighting
  • Lapel mics and a teleprompter
  • Their name on the lower third
  • Footage you can actually use

You leave with content, not just confidence

Because it is a real shoot, the footage your spokesperson records is usable. We cut it into a piece to camera, a grab or an exec video you actually put out. A training-only company can’t hand you that.

The crew that trains them films the real thing

Most trainers prep your people, then hand them back. We do both. The same crew that trains your spokesperson films the real piece, so the prep carries straight onto the shoot. Nothing gets lost in a handover.

Our method

Everything runs on one method: the Grab.

In the news, the grab is the few seconds that actually make air. Everything we teach points at landing it, and holding your nerve around it. Three moves, easy to remember when the camera is on.

01

Land the grab

Say the one thing worth airing, in a clean, short line. Clear and theirs, so it is the bit that gets used.

02

Bridge back

When a question pulls them off course, steer it back to the message without dodging. Acknowledge, then bridge.

03

Hold the block

Under pressure, stay calm and stay on message. Repeat the key point, do not get rattled, do not fill a silence with a mistake.

Who trains you

We came up in the newsroom.

Oscar Vieira leads it. Twenty years behind the camera in live broadcast news, two FIFA World Cups, the Olympic Games and the Winter Olympics, and hard news from cyclone zones to NRL grand finals. Our crew all came up the same way.

We know what a journalist is after and what reads on camera, because we film it every week, for clients like the Australian Turf Club and government and corporate teams across Sydney.

Oscar Vieira, Creative Director at Zarco Creative
0 Years behind the camera, from the newsroom up
0 FIFA World Cups filmed, Ronaldo and Portugal among them
0 Olympic Games covered, summer and winter
0 Rated by clients on Google

The payoff

What your people walk out able to do.

Stay on message

Say the one thing that matters, even when a journalist tries to pull them off it.

Handle the hard questions

Stay calm and in control when the questions get pointed, so one bad answer does not become the story.

Look settled on camera

Steady body language, a steady voice, present in the room and used to the lens.

Beat the nerves

Turn nervous energy into focus, so the camera stops being the enemy.

How it runs

Simple to run, built around your people.

  • Half a day or a full day
  • At your office or in a studio
  • In person, or online when people are spread out
  • Small groups, so everyone gets real reps
Book a call

What’s included

  • A session built around your people and their messages
  • Filmed mock interviews on the full broadcast set up
  • Playback on the monitor with honest, practical feedback
  • Usable footage from the day, yours to keep
  • The Grab framework to lean on next time

Build it into a shoot so your people are ready before we hit record, or run it as a focused session on its own.

Who we train

Anyone facing a camera, a journalist or a stage.

★★★★★ Rated 5.0 on Google

What clients say about working with us.

I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
Ali Chaouch
Ali ChaouchAANA
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
Shelly Rigg
Shelly RiggFactor Insight
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Silvia Grancini
Silvia GranciniPwC

Good to know

Questions, answered.

How is this different from classroom media training?

Classroom training is a meeting room with a phone or a slide deck. We bring the full broadcast set up: real cameras, lighting, sound, a teleprompter and a crew. Your spokesperson rehearses on a real set, so the nerves show up with us, not live on the day. And because it is a real shoot, you leave with usable footage, not a practice tape that gets binned.

Do we keep the footage from the session?

Yes. Because it is a real shoot on a full set up, the footage is usable. We can cut it into a finished piece to camera, a grab or an exec video you actually put out. So the session sharpens your people and hands you content at the same time.

Can you prep someone for a specific interview or announcement?

Yes. Tell us the situation, a TV interview, a results announcement, a panel or a piece to camera, and we build the session around it. We run mock versions on the full set up, so your spokesperson has already done it once before it counts.

Can you prepare a spokesperson for a tough or high-pressure interview?

Yes. We run mock versions of the pointed, high-pressure interviews on a real set, so your spokesperson has handled the hard questions once before it counts. The aim is simple: stay calm, stay on message, and make sure one bad answer does not become the headline.

Is what we cover confidential?

Yes. What is said on set stays on set, including any filmed practice. We are used to working with executives and comms teams on sensitive announcements, and we treat everything that way by default.

Is it in person or online?

In person works best, because the whole point is rehearsing on a real set with cameras, lights and a crew. We can run it at your office or in a studio across Sydney. Online sessions are an option when your people are spread out, and we adapt the exercises to suit.

How much does media training cost in Sydney?

The price depends on the number of people, the length and whether it is on site or in a studio, so we scope it and quote up front with no surprises. Tell us who needs training and book a call, and we will price it for you.

Got someone going on camera?

Let’s get them ready.

Tell us who needs training and what they’re preparing for. We’ll scope it, quote it, and run the day. No hard sell, just a quick chat.

Jess Vieira, Zarco Creative
Jess Vieira Your point of contact, start to finish
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