Short form reels
Punchy 15 to 60 second cuts built for Reels, TikTok and Shorts. Hook first, captions burned in.
See Instagram Reels →
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Your audience decides in the first second. Short, vertical, sound off first, captions on. That's how people watch now, so that's how we shoot.
The gap most brands hit isn't ideas, it's supply. You need a steady stream of good clips, not one hero film a year. We build that stream from a single well run shoot day, so your feed stays fed without a scramble.
One kit, one crew, many formats. We plan the day so you leave with a mix, not one thing on repeat.
Punchy 15 to 60 second cuts built for Reels, TikTok and Shorts. Hook first, captions burned in.
See Instagram Reels →Product demos, launches and brand moments shot to look premium and sell, not just decorate the feed.
See product video →Real process, real people, real rooms. The stuff that makes a brand feel human and trustworthy.
Founders, staff and customers on camera. We settle nerves fast and get usable takes on the day.
See testimonial video →Fast, sharp recaps and sponsor clips from your conference, launch or activation, turned around quickly.
See event videography →Our work
We frame and cut for where the video actually lives, so nothing looks stretched, cropped or borrowed from somewhere else.
Vertical 9:16, hook in the first second, captions on by default.
Considered, credible cuts that suit a professional feed and a B2B audience.
Square 1:1 and 4:5 versions sized to earn the pause in a busy feed.
Longer 16:9 edits for the channel, plus Shorts pulled from the same footage.
Ad cutdowns and hook variants when you're running spend, alongside the organic set.
Here's the insight most agencies won't spell out. The cost is in setting up the day, the crew, the kit and the location, not in each individual clip. So we plan the shoot to capture five to eight clips at once.
We line up multiple concepts and angles so the crew keeps rolling all day.
Spread that one shoot day across five to eight cuts and the per clip cost drops sharply.
Same day, same light, same crew, so the whole set feels like one brand, not a patchwork.
You walk away with weeks of posts ready to schedule, not a single video to ration.
Every clip comes back in the sizes you need, vertical, square and wide, from the same footage.
We've filmed short form and brand content for teams across corporate, hospitality and consumer brands, including work you'll recognise.
Product and social content for names like YPO, built into ongoing content, not one offs.
Short form and interview content for teams at PwC, Bunnings and Chartered Accountants ANZ.
Fast, feed ready cuts for groups like Laundy Hotels and event clients across Sydney.
Tell us what you're launching and who it's for. We'll map the day and send a fixed quote.
If your feed needs regular, on brand video and your team's already stretched, this is built for you.
Steady social content without adding to your workload.
Product and lifestyle clips that look premium and sell.
Fast, warm venue and brand content for a busy feed.
Cutdowns and sponsor clips turned around quickly.
Credible LinkedIn and thought leadership video that still feels human.
Behind the scenes
A common question is whether to book social clips on their own or fold them into a bigger video production day, like a brand story shoot. Here's the honest comparison.
| Batch social day | Add-on to a hero shoot | One video at a time | |
|---|---|---|---|
| Best when | You need a steady stream of posts | You already have a bigger shoot booked | You need a single specific clip |
| Cost per clip | Lowest, one day spread across many | Very low, footage does double duty | Highest, setup for one output |
| Consistency | One look across the whole set | Matches your hero film | Varies shoot to shoot |
| Output | 5 to 8 clips, every platform size | Hero film plus a set of social cuts | One finished video |
Our crew came up through live broadcast news at Network Ten, Seven and Nine. That means a proper eye and calm hands, now pointed at short form. One contact, Jess, runs the whole thing start to finish, so you brief once and it's handled. It's the same set and forget approach we bring to every job, and it's why teams at PwC, Bunnings, Penfolds and the Australian Turf Club keep working with us.
How we work
Five stages, all handled. You brief us once and give your feedback. We run the rest.
Tell us the goal, the audience and the deadline once. Jess turns it into a scope, a plan and a fixed quote, so you know what you are getting before anything is locked in.
We plan the shoot, script the messaging, build the shot lists and lock the call sheet before anyone films. Locations, talent and logistics are handled, and we coach anyone nervous about being on camera.
An experienced crew runs the day to the call sheet and settles people on camera fast. Broadcast-grade cameras, audio and lighting, with backups for the backups. We came up through live news, so calm under pressure is the default.
We edit and finish, then send the cut through Frame.io so you comment straight on the frame. Two rounds of changes are built in. Social cutdowns are planned from the start, so one shoot works everywhere.
You get the final files in the formats you need, ready to go across every channel. They are yours to keep, no strings, no chasing.
I’m really relaxed. Even at events I’m not at, I’m not worried at all. It’s set and forget.
They make our attendees feel comfortable on camera, and find ways to maximise the content on the day.
I had a partner, not a supplier. They were truly part of the team, across a four day, five week event.
Good to know
It depends on how many clips you want, the shoot length and how much editing each one needs. A batch day that produces five to eight cuts brings the cost per video right down. Tell us what you're planning and we'll send a fixed quote, no surprises.
Usually five to eight social clips from a single shoot day, sometimes more for simple setups. We plan the day around your concepts so the crew keeps rolling. It's the cheapest way to build a run of content.
All the main ones. Vertical 9:16 for Reels, TikTok and YouTube Shorts, square and 4:5 for feed, and wider 16:9 for LinkedIn and YouTube. Every clip comes back in the sizes you actually need.
You don't need both. If you just want a steady feed, a batch social day covers it. If you've got a bigger shoot booked, we can pull social cuts from that same footage so it does double duty.
It varies with the number of clips, but social cuts are usually back within a week or two of the shoot. We build two rounds of review in, so you can tweak captions or edits before anything goes live.
Either way works. We can develop the concepts and simple scripts off your brief, or run with ideas your team already has. You sign off the plan before we shoot, so it's always your call.
Based in Sydney, filming across the CBD, North Sydney, Macquarie Park, Parramatta, the Inner West and beyond. We travel across NSW and interstate for the right job.
Get a quoteGot something coming up?
Tell us what you need. We will scope it, quote it, and look after the rest. No hard sell, just a quick chat.